Difference between revisions of "Famous Blue Raincoat/Tabs"
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(New page: {{SongNav}} Famous Blue Raincoat by L. Cohen (interpretation by cb via JoCo) <pre>Am F It’s four in the morning, the end of December Dm7 ...) |
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<pre>Am F | <pre>Am F | ||
− | + | It's four in the morning, the end of December | |
Dm7 Em | Dm7 Em | ||
− | + | I'm writing you now just to see if you're better | |
Am F | Am F | ||
− | New York is cold, but I like where | + | New York is cold, but I like where I'm living |
Dm7 Em | Dm7 Em | ||
− | + | There's music on Clinton Street all through the evening. | |
Am Bm Am | Am Bm Am | ||
− | I hear that | + | I hear that you're building your little house |
Bm | Bm | ||
deep in the desert | deep in the desert | ||
Am G | Am G | ||
− | + | You're living for nothing now, | |
Am G | Am G | ||
− | I hope | + | I hope you're keeping some kind of record |
C G | C G | ||
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Your famous blue raincoat was torn at the shoulder | Your famous blue raincoat was torn at the shoulder | ||
Am F | Am F | ||
− | + | You'd been to the station to meet every train | |
Dm7 Em | Dm7 Em | ||
And you came home without Lili Marlene | And you came home without Lili Marlene | ||
Line 41: | Line 41: | ||
And you treated my woman to a flake of your life | And you treated my woman to a flake of your life | ||
Am G Am G | Am G Am G | ||
− | And when she came back she was | + | And when she came back she was nobody's wife. |
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One more thin gypsy thief | One more thin gypsy thief | ||
Bm G | Bm G | ||
− | Well I see | + | Well I see Jane's awake |
F Em | F Em | ||
She sends her regards. | She sends her regards. | ||
Line 60: | Line 60: | ||
I guess that I miss you, I guess I forgive you | I guess that I miss you, I guess I forgive you | ||
Dm7 Em | Dm7 Em | ||
− | + | I'm glad you stood in my way. | |
Am Bm Am Bm | Am Bm Am Bm |
Latest revision as of 08:19, 9 May 2008
Famous Blue Raincoat by L. Cohen (interpretation by cb via JoCo)
Am F It's four in the morning, the end of December Dm7 Em I'm writing you now just to see if you're better Am F New York is cold, but I like where I'm living Dm7 Em There's music on Clinton Street all through the evening. Am Bm Am I hear that you're building your little house Bm deep in the desert Am G You're living for nothing now, Am G I hope you're keeping some kind of record C G Yes, and Jane came by with a lock of your hair Am She said that you gave it to her Bm G That night that you planned to go clear F Em Did you ever go clear? Am F Ah, the last time we saw you you looked so much older Dm7 Em Your famous blue raincoat was torn at the shoulder Am F You'd been to the station to meet every train Dm7 Em And you came home without Lili Marlene Am Bm Am Bm And you treated my woman to a flake of your life Am G Am G And when she came back she was nobody's wife. C G Well I see you there with the rose in your teeth Am One more thin gypsy thief Bm G Well I see Jane's awake F Em She sends her regards. Am F And what can I tell you my brother, my killer Dm7 Em What can I possibly say? Am F I guess that I miss you, I guess I forgive you Dm7 Em I'm glad you stood in my way. Am Bm Am Bm If you ever come by here, for Jane or for me Am G Am G Your enemy is sleeping, and his woman is free. C G Yes, and thanks, for the trouble you took from her eyes Am Bm I thought it was there for good so I never tried. C G And Jane came by with a lock of your hair Am She said that you gave it to her Bm G That night that you planned to go clear F Em Sincerely, L. Cohen Am F Dm7 Em